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Stay tuned!
Once I've recovered from wonderfulness, I'll be blogging about my time collaborating with the inspiring people of    Educar es fiesta
in Cochabamba, Bolivia who use the arts--including circus arts--to bring education, life skills, and JOY to children in difficult situations and families in crisis. Viva Bolivia!

 
 
Monday, January 16, 2012 - the Martin Luther King, Jr. Day  celebration at Valparaiso University, Indiana

Urban Prep Academies in Chicago has to provide students--all African American, all male, all from low-income communities--with "Swords and Shields" is what Tim King, the founder, president, and CEO told us during lunch,  after his keynote address. The Swords? Their weapon is intellectual prowess. The  students, coming out of the dysfunctional Chicago public school system, take
double sessions of English and math to catch up. I love it that students are chosen through lottery and the schools don't give up on anyone. Kids can get in trouble, but they don't get thrown out. The school works with them to keep them moving forward. None of this zero-tolerance crap that I've written about before, kids criminalized for tardiness, a system that pushes kids out of school and
into the school-to-prison pipeline. Maybe I shouldn't even say "kids." Tim King addresses students by Mr. and their last name. He wants 13-year-olds to experience being treated with respect, adult to adult male. Beautiful. They start each morning with a community ritual in which they reinforce their commitments to themselves, the school, and their education. The Shields?  The sense of identity, confidence, self-esteem, and character they will need once they go out into the wider which, as he said, often means whiter world. They need that inner strength to withstand all the crap the world is gonna throw at them. I think of my friend Karen Taylor. The multitalented Karen D. Taylor, writer, vocalist, who also needs all her talent and vision in raising a black son in this society. She recently posted this link  to a report about a Yale study which showed black boys receive harsher punishment and less attention (regardless of socioeconomic status) than white counterparts. Duh. When do we stop funding academics to research the obvious and start funding inner city schools? Instead we continue to fund our schools through property taxes so that the students who need the most attention consistently get the least.

Someone asked Tim King the secret of his success with Urban Prep. He said he didn't know yet whether the schools were a success. Yes, 100% of the students have gone on to 4-year colleges, but till they graduate and till we see what they do with their lives, the question remains open.

I led a two-hour focus session in the afternoon--my workshop that uses the arts to improve literacy and writing ability. I had a great group--some Valpo freshman, some non-matriculated foreign students who are on campus to learn English, and Stuart Schussler of the Mexico Solidarity Network also attended. the Network recently initiated a unique study abroad program--unique because participants never leave the US. College students live for a week or two with immigrant families in Chicago. It's Spanish-langauge immersion and consciousness raising rolled into one. 

Interesting time at Valpo, staying with Prof. Nelly Blacker-Hanson, and distracting her from what promises to be an enlightening
  paper on Lucio Cabañas, schoolteacher, who went to the sierra as a guerrilla after his peaceful protestand strike in 1967, Guerrero (Mexico) led to violence and government attempt on his life.  Also fun to meet Nelly's dog, Mischa, a huge Russian breed that
looks like an Old English Sheepdog crossed with a bear. It's a good thing a canine that size is so utterly mellow and gentle. And it's no surprise children look at her with all that hair covering her face and ask "Does your dog have eyes?"

 
 
All kids are "at-risk." That's part of being a kid. But I'm talking today about kids who wear the label. It's some of the work I'm doing now:

Spoken Interludes is Delauné Michel's organization. Besides presenting evenings of fiction readings, she organizes creative writing workshops for teens. Right now, I've signed on to work with teenagers on probation. Kids who've been in trouble. Many living in group homes. I asked the English teacher about their literacy level. "Low," she said. "Dirt low."


So I started out by asking them if they ever felt they were living a movie. They all said yes, so I gave them poster stock and colored markers and invited them to make a poster advertising that movie. I said they could choose the actors who would play them. All I was going to ask them to write the first day was the title. I thought they'd get into it, and it would be a way of gradually demystifying writing. I usually find with "dirt low" level kids, it's not inability, but lack of confidence. There's an internal obstacle to putting the words on paper.

 Well, the movie idea fell flat. I kicked myself a little. But now that we're four weeks in, something seems to be working. All the kids are writing page after page. Stories of gang killings, drug dealing, love betrayed, a pregnant girl being beaten up by her boyfriend, kids who hope aliens will come to take them to a better world. And I think the posters do make a difference. The kids still have their partially completed posters on their desks and whenever they get stuck with the story, they doodle, sketch, and color. I think what's happening is it keeps the imagination open and alive so instead of sitting there feeling stuck and stupid and unable to write, they have something creative to do until new words and ideas emerge. 

I have to admit, one boy isn't getting very far. He first started writing a story about monkeys in Guatemala nearing extinction because someone was traveling around and hanging them from banana trees. I really wanted to read that story! But he's decided to write something closer to his own experience, and that seems to scare him. 

I always want solitude and isolation when I write, but the kids love it when I ask to see what they've written. Sentence by sentence. Paragraph by paragraph. And we all talk about each kid's work. The interest and enthusiasm of others keeps them engaged.  

Spelling, grammar, not important while they're writing. Certain, uh, vocabulary words will have to be cleaned up before they hand their work in or present it publicly. But while we're working together, no one gets censored.

What I'm trying to figure out now -- maybe someone out there has some experience? -- I don't want to be moralistic. I don't want to wag my finger at them and tell them their characters better reform by the last paragraph. They are writing very honestly and realistically about the world they live in, but I would like to see them use their imaginations to envision a different world. So I'm thinking of asking them, once their stories are complete, and after they write THE END, to add a paragraph. Something that begins with the words, "In a better world..." and change the circumstances their characters cope with. Use that paragraph to describe the family, the school, the neighborhood they would like to see. I don't know if that's corny or if it would work. But so what? I'll try it. The movie poster didn't work, but being able to draw did work, I think. So their stories can come to as violent an end as they desire, but I don't want to leave them in that place. We'll see. 

 
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Wall Art from Chuco's Justice Center, the Youth Justice Coalition, Inglewood, CA